ICONS — Limited Series : LIONS GATE BRIDGE
ICONS — Limited Series : LIONS GATE BRIDGE
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Typographic Hand Drawn Vector Illustration
16 x 20” / 41 x 51 cm Giclée pigment based ink. Deep-matte archival paper
Framed in FSC-Certified coated white ash and birch with white mat
Hand signed and numbered. Limited Run of 20
Framed CAD 700.00
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AKA First Narrows — this elegant link to the wilds beyond provokes and pacifies the modern city. Privately built it opened to acclaim in 1938 after only 18 months of construction. A world-first-of-its-kind deck replacement from 2000 to 2003 assured it will dazzlingly connect a wildly-growing North Shore for decades to come
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Each ICON sprouts in my photography. An ICON is approximately two years of process — from concept to completion
I carefully draw out a graphic silhouette by hand. After detailed study I choose which adornments to include — taking particular interest in ones that can be missed by a passerby on the street
Next I extrude elements from the building’s “face”. This period in process feels like an extended ballroom dance. There are twists, turns and dips — I go back and forth, and back again. I aim to leave plenty of space for the typography — which I consider the entry point for a viewer — and still include enough of each ICON’s definitive decorative elements. I’m humbled when viewers recall a personal dialogue or history with an ICON. To allow for this, I’m compelled to ensure familiarity
I select a quote after boulevards of research. I learn from this meditative and often lengthy time in process. Ultimately my choice offers an emergent playfulness between the quote, or the quoted, and what each ICON outwardly presents — rather than be a quote about the ICON itself. Sometimes it complements, sometimes it counters. Sometimes in humour. Sometimes in critique
Each letter in each composition is unique — hand fashioned from my self-designed font. I created the blue specifically for this limited edition — suspended among Arctic, Cerulean, and Sapphire. It speaks to the hue we discover anew — every time the clouds lift — in the high-latitude low-angle light of Vancouver’s shockingly alluring sky